Dr. Maximilian C. Forte
Visual Anthropology
BIBLIOGRAPHY
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A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z
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Acciaioli, Greg. 1997. “Innocence Lost: Evaluating an Experimental Era in Ethnographic Film.” The Australian Journal of Anthropology, Vol. 8, No. 2: 210-226.
Arhem, Kaj. Millennium Among the Makuna: An Anthropological Film Adventure in the Northwest Amazon.” Anthropology Today Stable URL: http://links.jstor.org/sici?sici=0268-540X%28199306%299%3A3%3C3%3AMATMAA%3E2.0.CO%3B2-7
Arora, Poonam. 1995. “ ‘Imperilling the Prestige of the White Woman:’ Colonial Anxiety and Film Censorship in British India.” Visual Anthropology Review, Sep., Vol. 11, No. 2: 36-50.
Asch, Timothy; John Marshall; and, Peter Spier. 1973. “Ethnographic Film: Structure and Function.” Annual Review of Anthropology, Vol. 2: 179- 187. Stable URL: http://1inks.jstor.org/sici?sici=0084-6570%281973%292%3A2%3C179%3AEFSAF%3E2.0.C0%3B2-3
Aufderheide, Pat. 1995. “The Video in the Villages Project: Videomaking with and by Brazilian Indians.” Visual Anthropology Review, Sep., Vol. 11, No. 2: 83-93.
B [top]
Balikci, Asen. 1989. “Anthropology, Film and the Arctic Peoples.” Anthropology Today, Apr., Vol. 5, No. 2: 4-10. Stable URL:
http://links.jstor.org/sici?sici=0268-540X%28198904%295%3A2%3C4%3AAFATAP%3E2.0.CO%3B2-YBanks, Marcus. 2001. Visual Methods in Social Research. London: Sage. HM 500 B35 2001.
Banks, Marcus. 1995. “Visual Research Methods.” Available online at: http://www.soc.surrey.ac.uk/sru/SRU11/SRU11.html
Banks, Marcus. 1993. “Visual Anthropology and Ethnographic Film in British Anthropology Departments.” Anthropology Today, Jun., Vol. 9, No. 3: 21-22. Stable URL: http://1inks.jstor.org/sici?sici=0268-540X%28199306%299%3A3%3C21%3AVAAEF1%3E2.0.C0%3B2-1
Banks, Marcus. 1990. “The Seductive Veracity of Ethnographic Film.” Society for Visual Anthropology Review, Mar., Vol. 6, No. 1: 16-21.
Banks, Marcus, and Morphy, Howard, eds. 1997. Rethinking Visual Anthropology. New Haven: Yale University Press. GN 347 R45 1997.
Barbash, Ilisa; and Lucien Taylor. 1997. Cross-cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of California Press.
Barbash, Ilisa; David MacDougall; Lucien Taylor; Judith MacDougall. 1996. “Reframing Ethnographic Film: A "Conversation" with David MacDougall and Judith MacDougall.”
American Anthropologist, Jun., Vol. 98, No. 2: 371-387. Stable URL: http://links.jstor.org/sici?sici=0002-7294%28199606%292%3A98%3A2%3C371%3AREFA%22W%3E2.0.CO%3B2-R
Barsam, Richard Meran. 1988. The Vision of Robert Flaherty: The Artist as Myth and Filmmaker. Bloomington; Indiana University Press.
Baudrillard, Jean. 1993. “On the Murderous Capacity of Images.” http://www.uta.edu/english/apt/collab/texts/precession.html
Baudrillard, Jean. N.d. “Photographies.” http://www.egs.edu/faculty/baudrillard/baudrillard-photographies.html
Baudrillard, Jean. N.d. “Photography, or the Writing of Light.” C-theory. http://www.ctheory.net/text_file.asp?pick=126
Baurdillard, Jean. N.d. “The Violence of the Image.” http://www.egs.edu/faculty/baudrillard/
baudrillard-the-violence-of-the-image.htmlBecker, Howard S. 1998. “Categories and Comparisons: How We Find Meaning in Photographs.” Visual Anthropology Review, Sep., Vol. 14, No. 2: 3-10.
Ben-Ari, Eyal. 1991. “Posing, Posturing and Photographic Presences: A Rite of Passage in a Japanese Commuter Village.” Man, Mar., Vol. 26, No. 1: 87-104. Stable URL: http://links.jstor.org/sici?sici=0025-1496%28199103%292%3A26%3A1%3C87%3APPAPPA%3E2.0.CO%3B2-A
Bergman, Jerry. N.d. “Ota Benga: The Story of the Pygmy on Display in a Zoo.” http://www.rae.org/otabenga.html
Biella, Peter. N.d. “Introduction to Yanomamö Interactive: The Ax Fight on CD-ROM.” Available online at: http://www.anth.ucsb.edu/projects/axfight/updates/biellaintroduction.html
Blackman, Margaret. 1981. Window on the Past: The photographic Ethnohistory of the Northern and Kaigani Haida. Ottawa: Canadian Ethnology Service Paper No. 74, National Museum of Canada.
Blackman, Margaret. 1985-86. “Studio Indians: Cartes de Visites of Native People in British Columbia 1862-1872.” Archivaria, Winter, 68-86.
Bohrer, Frederick Nathaniel. 2003. Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-century Europe. Cambridge, UK: Cambridge University Press. NX 650 R85B64 2003.
Bouquet, Mary. 2000. “The Family Photographic Condition.” Visual Anthropology Review, Mar., Vol. 16, No. 1: 2-19.
Bourdieu, Pierre. 1999. “The Social Definition of Photography.” In Jessica Evans and Stuart Hall, eds. Visual Culture: The Reader, pps. 162-180. London: Sage.
Brand, Stewart. 1976. “For God’s Sake, Margaret: Conversation with Gregory Bateson and Margaret Mead.” CoEvolutionary Quarterly, No. 10, June: 32-44. Full text available online at: http://www.oikos.org/forgod.htm
Broeckmann, Andreas. 1996. A Visual Economy of Individuals: The Use of Portrait Photography in the Nineteenth-Century Human Sciences. PhD thesis written for the University of East Anglia, Norwich, England, 1995. Full text available online at: http://isp2.srv.v2.nl/~andreas/phd/main_1.htm
Bruni, Barbara. 2002. “Jean Rouch: Cinéma-vérité, Chronicle of a Summer and The Human Pyramid.” Senses of Cinema. http://www.sensesofcinema.com/contents/01/19/rouch.html
Buckley, Liam. 2000. “Self and Accessory in Gambian Studio Photography.” Visual Anthropology Review, Sep., Vol. 16, No. 2: 71-91.
Buckely, Liam. 2000. “Gambian Studio Photography.” from VAR 16.2, pp 71-91: http://etext.virginia.edu/VAR/gambia/photo.html
Burnett, Ron. 1990. “The Eyes Don’t Have It: Video Images and Ethnography.” Continuum: The Australian Journal of Media & Culture, Vol. 3, No 2. http://wwwmcc.murdoch.edu.au/ReadingRoom/3.2/Burnett.html
Burton, John W., and Caitlin W Thompson. 2002. “Nanook and the Kirwinians: Deception, Authenticity, and the Birth of Modern Ethnographic Representation.” History, Vol. 14, No. 1; 74-86.
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Carpenter, Edmund. 1989. “Assassins and Cannibals or I Got Me a Small Mind and I Means to Use It.” Society for Visual Anthropology Newsletter, Mar., Vol. 5, No. 1: 12-12.
Carpenter, Edmund. 1972. Oh, What a Blow that Phantom Gave Me! Full text available online at: http://faculty.virginia.edu/phantom/phantom.html
Carswell, Sue. 1999. “Aesthetic Choices: Negotiations in the Field.” http://cc.joensuu.fi/sights/sue.htm
Chagnon, Napoleon A. N.d. “Ethnographic and Personal Aspects of Filming and Producing The Ax Fight.” http://www.anth.ucsb.edu/projects/axfight/updates/filming.html
Chaplin, Elizabeth. 1994. Sociology and Visual Representation. New York: Routledge.
Chiozzi, Paolo. 1990. “What is Ethnographic Film? Remarks About a Debate.” Society for Visual Anthropology Review, Mar., Vol. 6, No. 1: 26-28.
Chiozzi, Paolo. 1989. “Photography and Anthropological Research: Three Case Studies.” In R. Boonzajer Flaes, ed. Eyes Across the Water, Pps. 43-50. Amsterdam: Het Spinhuis.
Chopra, Radhika. 1989. “Robert Gardner's Forest of Bliss: A Review.” Society for Visual Anthropology Newsletter, Mar., Vol. 5, No. 1: 2-3.
Collier, John, Jr., and Collier, Malcolm. 1986. Visual Anthropology: Photography as a Research Method. Albuquerque: University of New Mexico Press. GN 347 C64 1986.
Connor, Linda. 2001. “Margaret Mead, Gregory Bateson, and Highland Bali: Fieldwork Photographs of Bayung Gede, 1936-1939.” Oceania, Vol. 72, No. 1: 87+.
Connor, Linda, and Patsy Asch. 1995. “Subjects, Images, Voices: Representing Gender in Ethnographic Film.” Visual Anthropology Review, Mar., Vol. 11, No. 1: 5-18.
Coover, Roderick , and Lucien Taylor. 2002. Review of: Making Forest of Bliss: Intention, Circumstance, and Chance in Nonfiction Film. Robert Gardner and Ákos Östör. Cambridge, MA: Harvard University Press, 2002. 135 pp., DVD. American Anthropologist, Jun., Vol. 104, No. 2: 651-653.
Corbey, Raymond. 1993. “Ethnographic Showcases, 1870-1930.” Stable URL:
http://links.jstor.org/sici?sici=0886-7356%28199308%298%3A3%3C338%3AES1%3E2.0.CO%3B2-CCrawford, Peter Ian, and Simonsen, Jan Ketil. 1992. Ethnographic Film Aesthetics and Narrative Traditions: Proceedings from NAFA 2. Aarhus [Denmark]: Intervention Press in association with the Nordic Anthropological Film Association. GN 347 E84 1992.
Crawford, Peter Ian, and Turton, David, eds. 1992. Film as Ethnography. Manchester: Manchester University Press. GN 347 F55 1992.
Crinall, Karen. 1999. “My Aunt, Our Mother, Their Face: Sharing Identity in a Family Photograph.” http://cc.joensuu.fi/sights/karenc.htm
Crouch, David, ed. 2003. Visual Culture and Tourism. New York: Berg.
Cummins, Bryan David. 2004. Faces of the North: The Ethnographic Photography of John Honigmann. Toronto: Natural Heritage/Natural History. TR 140 H65C8 2004.
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Damon, Frederick H. 2000. “ ‘To Restore the Events?:’ On the Ethnography of Malinowski's Photography.” Visual Anthropology Review, Mar., Vol. 16, No. 1: 71-77.
Devereaux, Leslie, and Hillman, Roger, eds. 1995. Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography. Berkeley: University of California Press. PN 1994 F433 1995.
Dolmatoff, Gerardo Reichel. 1989. “Letter to the Editor.” Society for Visual Anthropology Newsletter, Mar., Vol. 5, No. 1: 13-13.
Durington, Matthew. 2004. “John Marshall’s Kalahari Family.” American Anthropologist, Sep., Vol. 106, No. 3: 589-594.
E [top]
Eaton, M.,ed. 1979. Anthropology-Reality-Cinema: The films of Jean Rouch. London: BFI
Edwards, Elizabeth. 2002. “Material Beings: Objecthood and Ethnographic Photographs.” Visual Studies, Vol. 17, No. 1: 67-75.
Edwards, Elizabeth. 2001. Raw Histories: Photographs, Anthropology and Museums. Oxford, England: Berg.
Edwards, Elizabeth, ed. 1992. Anthropology and Photography, 1860-1920. New Haven: Yale University Press. GN 347 A59 1992.
Elder, Sarah. 2001. “Images of Asch.” Visual Anthropology Review, Sep., Vol. 17, No. 2: 89-109.
Elder, Sarah. 1995. “Collaborative Filmmaking: An Open Space for Making Meaning, A Moral Ground for Ethnographic Film.” Visual Anthropology Review, Sep., Vol. 11, No. 2: 94-101.
El Guindi, Fadwa. 2004. Visual Anthropology: Essential Method and Theory. Walnut Creek, CA : AltaMira Press. GN 347 E5 2004.
El Guindi, Fadwa. 1998. “From Pictorializing to Visual Anthropology.” H. Russell Bernard, ed. Handbook of Methods in Cultural Anthropology, Pps. 459-511. Walnut Creek: Altamira Press. Available online at: http://www-rcf.usc.edu/~elguindi/Pictorializing.htm
Evans, Jessica, and Stuart Hall, eds. Visual Culture: The Reader. London: Sage.
F [top]
Flaes, Robert M. Boonzajer, and Harper, Douglas, eds. 1993. Eyes Across the Water, II: Essays on Visual Anthropology and Sociology. Amsterdam, The Netherlands: Spinhuis. GN 347 E94 1993.
Flaherty, Joseph. 1998. “Visual Anthropology.” Afterimage, Vol. 25, No. 6: 3.
Flaherty, Robert J. 1922. “How I Filmed ‘Nanook of the North'.” World's Work, October: 632-640. http://web.archive.org/web/20041030141337/
http://nimbus.temple.edu/~jruby/wava/Flaherty/filmed.htmlFrosh, Paul. 2003. The Image Factory: Consumer Culture, Photography and the Visual Content Industry. New York: Berg.
Fuery, Patrick, and Kelli Fuery. 2003. Visual Cultures and Critical Theory. London: Hodder-Arnold.
G [top]
Gardner, Robert. 1988. “Letter to the Editor.” Society for Visual Anthropology Newsletter, Sep., Vol. 4, No. 2: 3-3.
Ginsburg, Faye. 1995. “The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film.” Visual Anthropology Review, Sep., Vol. 11, No. 2: 64-76.
Ginsburg, Faye. 1992. “Television and the Mediation of Culture: Issues In British Ethnographic Film.” Visual Anthropology Review, Mar., Vol. 8, No. 1: 97-102.
Goffman, Erving. 1979 [1976]. Gender Advertisements. London: Macmillan. HF 5827 G57 1979b.
Gold, Stephen. 1991. “Ethnic Boundaries and Ethnic Entrepreneurship: A Photo-Elicitation Study.” Visual Sociology, 6 (2): 9-22.
Griffiths, Alison. 2002. Wondrous Difference: Cinema, Anthropology, and Turn-of-the-Century Visual Culture. New York : Columbia University Press. GN 347 G73 2002.
Griffiths, Alison. 1996. “Knowledge and Visuality in Turn-of-the-century Anthropology: The Early Ethnographic Cinema of Alfred Cort Haddon and Walter Baldwin Spencer.” Visual Anthropology Review, Sep., Vol. 12, No. 2: 18-43.
Grimshaw, Anna. 2001. The Ethnographer’s Eye: Ways of Seeing in Anthropology. New York: Cambridge University Press. GN 347 G75 2001.
Grimshaw, A. 1995. Conversations with Anthropological Film-makers: Melissa Llewelyn-Davies. Cambridge: Prickly Pear Press. Full text available online at: http://www.srcf.ucam.org/~jrs71/pricklypear/prickly_pear_8.pdf
Grimshaw, A., and Papastergiadis, N. 1995. Conversations with Anthropological Film-makers: David Macdougall. Cambridge: Prickly Pear Press. Full text available online at: http://www.srcf.ucam.org/~jrs71/pricklypear/prickly_pear_9.pdf
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Harper, Douglas. 2002. “Talking about Pictures: A Case for Photo Elicitation.” Visual Studies, 17 (1): 13-26
Harper, Douglas. 1998. “An Argument for Visual Sociology.” In J. Prosser, ed. Image-based Research: A Sourcebook for Qualitative Researchers, Pps. 24-41. London: Falmer Press.
Harries, Patrick. N.d. “Photography and the Rise of Anthropology: Henri-Alexandre Junod and the Thonga of Mozambique and South Africa.” Iziko Museums of Cape Town. Full text available online at: http://www.museums.org.za/sam/conf/enc/harries.htm
Heider, Karl G. 2001. “Robert Gardner. The Early Years.” Visual Anthropology Review, Sep., Vol. 17, No. 2: 61-70.
Heider, Karl G. 1976. Ethnographic Film. Austin: University of Texas Press. GN 347 H44.
Henley, Paul. 2005. “Timothy Asch and Ethnographic Film.” Journal of the Royal Anthropological Institute, Vol. 11, No. 1: 151+.
Henley, Paul. 1996. “The Promise of Ethnographic Film.” Stirling Memorial Lecture delivered at the University of Kent at Canterbury, November. http://www.kent.ac.uk/anthropology/stirling/henley1.html
Hereniko, Vilsoni. N.d. “Representations of Pacific Islanders in Film and Video.” http://www.city.yamagata.yamagata.jp/yidff/docbox/14/box14-3-e.html
Heusch, Luc de. 1962. The Cinema and Social Science: A Survey of Ethnographic and Sociological Films. Paris: UNESCO. H 62 U475 no.16.
Hinsley, Curtis M. 1991. “The World as Marketplace: Commodification of the Exotic at the World’s Columbian Exposition, Chicago, 1893.” In Exhibiting Cultures, ed. Ivan Karp and Steven D. Lavine, pps. 343-365. Washington: Smithsonian Institution Press.
Hockings, Paul. 2001. “Asen Balikci Films Nanook.” Visual Anthropology Review, Sep., Vol. 17, No. 2: 71-80.
Hockings, Paul, ed. 1995. Principles of Visual Anthropology. New York: Mouton de Gruyter. GN 347 P75 1995.
Hooper-Greenhill, Eilean. 2000. Museums and the Interpretation of Visual Culture. New York: Routledge. AM 7 H665 2000.
Hughes=D’Aeth, Tony. 1999. “Ethnographic Photography and John Lindt.” http://cc.joensuu.fi/sights/tony.htm
Husmann, Rolf, et al. 1992. A Bibliography of Ethnographic Films. Göttingen: Lit. (Reference) GN 347 B53 1992.
I [top]
Im Thurn, E. F. 1893. “Anthropological Uses of the Camera.” Journal of the Anthropological Institute of Great Britain and Ireland, Vol. 22: 184-203. Stable URL: http://links.jstor.org/sici?sici=0959-5295%281893%2922%3C184%3AAUOTC%3E2.0.CO%3B2-K
J [top]
Jacknis, Ira. 1996. “Alfred Kroeber and the Photographic Representation of California Indians.” American Indian Culture and Research Journal, 20 (3). Full text available online at: http://web.archive.org/web/20020202200725/
http://www.qal.berkeley.edu/~kroeber/kropho.htmJacknis, Ira. 1984. “Franz Boas and Photography.” Studies in Visual Communication, 1 (10), 2-60.
Jackson, John L., Jr. 2004. “An Ethnographic Filmflam: Giving Gifts, Doing Research, and Videotaping the Native Subject/Object.” American Anthropologist, Mar., Vol. 106, No. 1: 32-42.
James, Alice. 2000. “The Mirror of Their Past: Greek Refugee Photographs and Memories of Anatolia.” Visual Anthropology Review, Sep., Vol. 16, No. 2: 25-42.
Jarvie, I. C. 1983. “The Problem of the Ethnographic Real.” Current Anthropology, Jun., Vol. 24, No. 3: 313-325. Stable URL:
http://links.jstor.org/sici?sici=OOl1-3204%28198306%2924%3A3%3C313%3ATPOTER%3E2.O.CO%3B2-MJenks, Chris, ed. 1995. Visual Culture. New York: Routledge.
K [top]
Kirkpatrick, Joanna. 1989. Review of “Forest of Bliss.” American Anthropologist, Mar., Vol. 91, No. 1: 273-274. Stable URL:
http://links.jstor.org/sici?sici=0002-7294%28198903%292%3A91%3A1%3C273%3AFOB%3E2.0.CO%3B2-PKuper, Adam. 1990. “Coming of Age in Anthropology?” Society for Visual Anthropology Review, Mar., Vol. 6, No. 1: 22-25.
Kupiainen, Jari. 1999. “Toto Isus, Charms and Photos: Visual Ethnography on Gatokae, Western Solomon Islands.” http://cc.joensuu.fi/sights/jari.htm
L [top]
Lakoff, Andrew. 1996. “Freezing Time: Margaret Meads's Diagnostic Photography.” Visual Anthropology Review, Mar., Vol. 12, No. 1: 1-18.
Landau, Paul S., and Kaspin, Deborah D., eds. 2002. Images and Empires: Visuality in Colonial and Postcolonial Africa. Berkeley: University of California Press. GN 645 I43 2002.
Lansing, J. Stephen. 1990. “The Decolonization of Ethnographic Film.” Society for Visual Anthropology Review, Mar., Vol. 6, No. 1: 13-15.
Leuthold, Steven. 1998. Indigenous Aesthetics: Native Art, Media, and Identity. Austin: University of Texas Press. E 59 A32L48 1998.
Lewis, E. D. 2004. Timothy Asch and Ethnographic Film. London: Routledge. GN 21 A83T56 2004.
Loizos, Peter. 1993. Innovation in Ethnographic film: From Innocence to Self-Consciousness, 1955-85. Chicago : University of Chicago Press. GN 347 L65 1993.
Loizos, Peter. 1991. “Some Films on Death and Their Ethnographic Merits.” Anthropology Today, Feb., Vol. 7, No. 1: 3-10. Stable URL:
http://links.jstor.org/sici?sici=0268-540X%28199102%297%3A1%3C3%3ASFODAT%3E2.0.CO%3B2-8Loizos, Peter. 1989. “Film and Fidelity.” Anthropology Today, Jun., Vol. 5, No. 3: 25-26. Stable URL:
http://links.jstor.org/sici?sici=0268-54OX%2S198906%295%3A3%3C25%3AFAF%3E2.O.C0%3E2.O.CO%3B2-5Losche, Diane. 1999. “Rethinking Visual Anthropology.” The Australian Journal of Anthropology, Vol. 10, No. 1: 96+.
Lury, Celia. 1998. Prosthetic Culture: Photography, Memory and Identity. London: Routledge.
Luschka, A. Koch, and E. Gortz. 1870. “Anatomical Examination of a Bushwoman.” Anthropological Review Stable URL: http://links.jstor.org/sici?sici=1368-0382%28187001%298%3A28%3C89%3AAEOABB%3E2.0.CO%3B2-K
Lutkehaus, Nancy C. 1994. “An Interview with Fimmaker Bob Connolly.” Visual Anthropology Review, Sep., Vol. 10, No. 2: 71-75.
Lutkehaus, Nancy C. 1995. “Ashes and Tears: To Timothy Asch.” Visual Anthropology Review, Mar., Vol. 11, No. 1: 2-4.
Lutz, Catherine, and Jane Collins. 1991. “The Photograph as an Intersection of Gazes: The Example of National Geographic.” Visual Anthropology Review, Mar., Vol. 7, No. 1: 134-149.
M [top]
MacBean, James Roy. 1994. “Degrees of Otherness: A Close Reading of First Contact, Joe Leahy's Neighbors and Black Harvest.” Visual Anthropology Review, Sep., Vol. 10, No. 2: 55-70.
MacDougall, David. 2001. Review of: Making Forest of Bliss: Intention, Circumstance ami Chance in Nonfiction Film. A Conversation between Robert Gardner and Ákos Östör. Cambridge, Massachusetts and London: Harvard Film Archive, 2001. Visual Anthropology Review, Mar., Vol. 17, No. 1: 68-85.
MacDougall, David. 1999. Transcultural Cinema; edited and with an introduction by Lucien Taylor. Princeton, NJ: Princeton University Press. GN 347 M33 1999.
MacDougall, David. 1995. “Subtitling Ethnographic Films: Archtypes into Individualities.” Visual Anthropology Review, Mar., Vol. 11, No. 1: 83-91.
MacDougall, David. 1992. “ ‘Photo wallahs:’ An Encounter with Photography.” Visual Anthropology Review, Sep., Vol. 8, No. 2: 96-100.
MacDougall, David. 1978. “Ethnographic Film: Failure and Promise.” Annual Review of Anthropology, Vol. 7: 405-425. Stable URL:
http://1inks.jstor.org/sici?sici=0084-6570%281978%292%3A7%3C405%3AEFFAP%3E2.0.C0%3B2-TMagubane, Zine. 2001. “Which Bodies Matter? Feminism, Poststructuralism, Race, and the Curious Theoretical Odyssey of the ‘Hottentot Venus’.” Gender and Society Stable URL:
http://links.jstor.org/sici?sici=0891-2432%28200112%2915%3A6%3C816%3AWBMFPR%3E2.0.CO%3B2-OMarcus, George E. 1990. “The Modernist Sensibility in Recent Ethnographic Writing and the Cinematic Metaphor of Montage.” Society for Visual Anthropology Review, Mar., Vol. 6, No. 1: 2-12.
Marr, Carolyn. 1990. “Photographers and their subjects on the Southern Northwest Coast: Motivations and Responses.” Arctic Anthropology, 27 (2), 13-26.
Martínez, Wilton. 1995. “The Challenges of a Pioneer: Tim Asch, Otherness, and Film Reception.” Visual Anthropology Review, Mar., Vol. 11, No. 1: 53-82.
Maslin, Marcel. N.d. “Baldwin Spencer, Cinematographer.” See: http://www.unimelb.edu.au/ExtRels/Gazette/Autumn96/Baldwin.html
Mead, Margaret, and Gregory Bateson. 1977. “On the Use of the Camera in Anthropology.” Studies in the Anthropology of Visual Communication, Dec., Vol. 4, No. 2: 78-80.
Mead, Margaret, and Macgregor, Frances Cooke. 1951. Growth and Culture: A Photographic Study of Balinese Childhood. New York: Putnam. HQ 792 B3M4.
Mead, Margaret, and Metraux, Rhoda. 1974 [1970]. A Way of Seeing. New York: Morrow. HN 59 M4 1974.
Mermin, Elizabeth. 1997. “Being Where? Experiencing Narratives of Ethnographic Film.” Visual Anthropology Review, Mar., Vol. 13, No. 1: 40-51.
Mirzoeff, Nicholas, ed. 2002. The Visual Culture Reader. 2nd ed. London: Routledge.
Moore, Alexander. 1995. “Understanding Event Analysis Using the Films of Tim Asch.” Visual Anthropology Review, Mar., Vol. 11, No. 1: 38-52.
Moore, Alexander. 1988. “The Limitations of Imagist Documentary: A Review of Robert Gardner's ‘Forest of Bliss’.” Society for Visual Anthropology Newsletter, Sep., Vol. 4, No. 2: 1-2.
Morphy, Howard. 1994. “The Interpretation of Ritual: Reflections from Film on Anthropological Practice.” Man, Mar., Vol. 29, No. 1: 117-146. Stable URL: http://links.jstor.org/sici?sici=OO25-1496%2Sl994O3%292%3A29%3Al%3Cl17%3ATIORRF%3E2.O.CO%3B2-T
Morris, Rosalind C. 1994. New Worlds from Fragments: Film, Ethnography, and the Representation of Northwest Coast Cultures. Boulder: Westview Press. E 78 N78M665 1994.
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Narayan, Kirin. 1994. Review of Photo Wallahs. American Anthropologist, Dec., Vol. 96, No. 4: 949-952. Stable URL:
http://links.jstor.org/sici?sici=0002-7294%28199412%292%3A96%3A4%3C949%3AVE%3E2.0.CO%3B2-RNicholson, Heather Norris, ed. 2003. Screening Culture: Constructing Image and Identity. Lanham, Md.: Lexington Books. PN 1995.9 I49S38 2003.
Norindr, Panivong. 1996. Phantasmatic Indochina: French Colonial Ideology in Architecture, Film, and Literature. Durham, NC: Duke University Press.
O [top]
Offler, Naomi. 1999. “Shock, Judgement, and the Stereotype: Exploring the Role of Emotional Response in Ethnographic Film Reception.” http://cc.joensuu.fi/sights/naomi.htm
O'Hanlon, Michael. 2001. Malinowski's Kiriwina: Fieldwork Photography, 1915-1918. Journal of the Royal Anthropological Institute, Vol. 7, No. 3: 597.
Oksiloff, Assenka. 2001. Picturing the Primitive: Visual Culture, Ethnography, and Early German Cinema. New York: Palgrave. GN 347 O38 2001.
Ostor, Akos. 1989. “Is That What Forest of Bliss is All About?: A Response.” Society for Visual Anthropology Newsletter, Mar., Vol. 5, No. 1: 4-8.
P [top]
Parry, Jonathan P. 1988. “Comment on Robert Gardner’s ‘Forest of Bliss’.” Society for Visual Anthropology Newsletter, Sep., Vol. 4, No. 2: 4-7.
Philipsen, Hans Henrik, and Markussen, Birgitte. 1995. Advocacy and Indigenous Film-Making. Højbjerg, Denmark: Intervention Press. GN 347 A38 1995.
Pink, Sarah. 2001. Doing Visual Ethnography: Images, Media and Representation in Research. London: Sage. GN 347 P56 2001.
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